Touching Spirit Through Flesh Artist Book
This artist book contains an essay detailing the themes and inspiration behind the solo exhibition Touching Spirit Through Flesh by Haley Craw at Hungate Medieval Art in Norwich, England. Referencing medieval mysticism, the monstrous feminine and Virginia Woolf’s A Room of One’s Own, the book points towards how the creative process can be used to highlight the voices and visions of women from the past, whose spirits may still linger on the border between the internal and external world. The images alongside the essay are charcoal drawings by Haley Craw.
‘It is our legacy that a woman with an overactive imagination is always considered dangerous.’
The cover is letterpress embossed, and the internal pages are risograph printed. Printed by Rizzo Studio in Norwich.
This artist book contains an essay detailing the themes and inspiration behind the solo exhibition Touching Spirit Through Flesh by Haley Craw at Hungate Medieval Art in Norwich, England. Referencing medieval mysticism, the monstrous feminine and Virginia Woolf’s A Room of One’s Own, the book points towards how the creative process can be used to highlight the voices and visions of women from the past, whose spirits may still linger on the border between the internal and external world. The images alongside the essay are charcoal drawings by Haley Craw.
‘It is our legacy that a woman with an overactive imagination is always considered dangerous.’
The cover is letterpress embossed, and the internal pages are risograph printed. Printed by Rizzo Studio in Norwich.
This artist book contains an essay detailing the themes and inspiration behind the solo exhibition Touching Spirit Through Flesh by Haley Craw at Hungate Medieval Art in Norwich, England. Referencing medieval mysticism, the monstrous feminine and Virginia Woolf’s A Room of One’s Own, the book points towards how the creative process can be used to highlight the voices and visions of women from the past, whose spirits may still linger on the border between the internal and external world. The images alongside the essay are charcoal drawings by Haley Craw.
‘It is our legacy that a woman with an overactive imagination is always considered dangerous.’
The cover is letterpress embossed, and the internal pages are risograph printed. Printed by Rizzo Studio in Norwich.